Ezra Furman - All of Us Flames

Anti-

A singer, songwriter, and author whose incendiary music has soundtracked the Netflix show Sex Education, Furman has for years woven together stories of queer discontent and unlikely, fragile intimacies. All of Us Flames is the third installment in a trilogy of albums, beginning with 2018’s Springsteen-inflected road saga Transangelic Exodus and continuing with the punk rock fury of 2019’s Twelve Nudes. Furman has a knack for zeroing in on the light that sparks when struggling people find each other and ease each other’s course. “I started to think of trans women as a secret society across the world: scattered everywhere, but so obviously bound together, both in being vulnerable and having a shared vision to change a fundamental building block of patriarchal society,” she says. “I‘ve been building my world of queer pals, and it feels like we’re forming a gang.”

Furman wrote much of Flames during the early months of the pandemic. “I had no time alone anymore; my house was super crowded,” she says. She drove to seek solitude, parked in arbitrary quiet spots around Massachusetts, and began to write. The songs that came flowed toward ideas of communality and networks of care, systems of survival cultivated by necessity among people who have been historically deprived of them. “This is a first person plural album,” Furman says. “It’s a queer album for the stage of life when you start to understand that you are not a lone wolf, but depend on finding your family, your people, how you work as part of a larger whole. I wanted to make songs for use by threatened communities, and particularly the ones I belong to: trans people and Jews.” With Furman’s widened focus, All of Us Flames paints transformative connections among people who unsettle the stories power tells to sustain itself.

On All of Us Flames, the heat of a different world throbs just behind the skin of this one; all around us, openings to it flicker. They vanish almost as soon as they’ve appeared. But they keep appearing, as if daring us to hold them open, to widen them until they turn into a way.

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Digital
Perfume Genius, Father John Misty, The Magnetic Fields, John Grant, Cass McCombs
Explicit Tracks
#6, 8, 9 (Clean edit of #6 on DISCO)