Pretty Rude - Ripe

Brooklyn-based band Pretty Rude will release their highly anticipated debut album, Ripe, on May 16 via SideOneDummy Records. The record will be available digitally and as a limited-edition vinyl and can be pre-ordered now. Ripe was produced by the band and mixed by Jake Sinclair (Weezer’s White Album), with mastering by Zach Weeks at God City.

Formed in the early days of the pandemic, Pretty Rude began as an “online theoretical project,” as frontman James Palko describes it. With no plans beyond providing a creative outlet amid the end of his other musical ventures, Taking Meds and Perspective, a lovely hand to hold, Pretty Rude quickly evolved into a full-fledged band thanks to the spark of collaboration with bandmate Matt Cook.

There’s much more to Ripe than meets the ear. Its eight tracks stretch over 37 minutes—just 19 seconds more, to be precise—and are packed with meaning, history, literary references, musical tributes, and a flair for the unconventional. The album balances reverence for both the past and present, and while its complex ideas could make it seem daunting, it’s far from pretentious. It’s music made freely, from the heart, by people who understand music’s power.

Ripe is an ambitious and smart record that reveals a chemistry between its members that’s rare for a new band. Pretty Rude was originally conceived as a diversion, a “theoretical project” after the end of Palko’s other bands. “A lot of the songs are about trying to figure out who I am after those projects ended.” It turns out, Palko wasn’t ready to be done with music. Writing alongside Cook reignited his passion, and the project soon grew into something more.

“Going into the studio to make the record felt like, ‘This is why I like doing this,’” Palko says. “To process the end of my bands, I dove into writing and demoing new songs, and it’s clear I wasn’t ready to hang it up.”

The result is Ripe, a record that is both intellectually and emotionally engaging, paying tribute to influences such as pop and pop-rock legends Randy Newman, The Beach Boys, and early Queen. It also channels the energy of bands like early, good Weezer and Joyce Manor, especially in tracks like “Call Me, Ishmael” and “Debbie & Lynn,” the latter being an upbeat anthem filled with sass and attitude. Though its joyful pop sensibilities shine through, Ripe also grapples with heavy themes, offering an emotional yet fun listening experience that reflects the chaotic world around it. (continue reading full bio on DISCO)