mercury - Together We Are One, You And I [EP]

“…the three tunes range from raging grungegaze to soft indie rock, reflecting the contribution of the tracks’ producer Alex Farrar—recently known for his work on the backwoods-shoegaze epic that is Wednesday’s Rat Saw God and the dreamy indie-folk stylings of Snail Mail’s Valentine.” – FLOOD: premiere

For mercury, songwriting is a form of survival, a means of finding clarity in an often cruel world. It’s everything Kerr has known dating back to the day 22 years ago when Mazzy Star’s “Fade Into You” blasted as she was born.

“Together We Are One, You And I” was born from another kind of place; a uniquely difficult period of personal hardship. “It was the first time in a while I’ve allowed myself to put my emotions into words and to tell myself that it’s okay, I’m allowed to be hurt,” says Kerr of “Born in Early May,” the pummeling opening track that served as a breakthrough for her, the beginning of chipping through an emotional block.

The second song of the three, “Special,” opens with a scene of surrender: “Removed my clothes/The color left my face/Lowered my body into the water.” Nature and elemental wonder are recurring motifs for Kerr, resonating deeply throughout the bones of mercury’s previous singles “Woolgathering” and “Trying.” In “Special,” Kerr once again finds solace in underwater depths. “When I think about being in a dark place mentally, it feels like I’m suspended in the deepest part of the ocean with nothing around me.” In this peaceful purgatory, far from other people, Kerr nurses her wounds and admits a universal human desire atop sparse ambiance: “I wanna be something to you/I wanna be special too.”

If “Born in Early May” looks outward, “Crick” directs its gaze inward for the finale of “Together We Are One, You And I.” “When I was writing ‘Crick’ I was angry at myself for not being able to say what I meant in moments where I really needed to,” Kerr says. “I was angry at other people for not giving me the opportunity to speak, but part of that was because I had waited too long to get my own words together.” Mounted with towers of guitars, the song hurtles toward a tremendously thrashy conclusion to the project: a reminder that noise can convey an inner chaos beyond words.