Slow Pulp - Yard

Stereogum: Album Of The Week

“Slow Pulp’s future is awash with possibilities, and that future is now.” — Paste

“[Moveys] is a soundtrack for aimless afternoon walks and light existential crises, as the temperature drops and our hours spent outdoors shorten.” — Pitchfork

“[Moveys] is packed with a thousand deft little flourishes of texture which together add up to a deeply entrancing whole.” — NME

“Moveys keeps a sense of wonder and never loses its wry humour” — Gold Flake Paint

“[Moveys] feels custom-built for the autumnal period” — The FADER

Emily Massey (vocals/guitar), Henry Stoehr (guitar/producer), Teddy Mathews (drums), and Alex Leeds (bass) have an electric chemistry, one that allows them to nimbly reach new sonic heights across Yard. Building upon the sticky hooks and dreamy rock seen in their earlier music, Yard crafts together a biggersound. Through listless guitar, weepy americana, a raw-to-the-bone piano ballad, and belt-along worthy pop-punk, they tackle themes of isolation and the process of learning to be comfortable with yourself, along with the importance of learning to trust, love, and lean on others.

Slow Pulp is rooted in decade plus long friendships. Stoehr and Mathews attended elementary school together in Madison, and met Leeds through a local music program. Massey entered the fold in college, and with Leeds at university in Minneapolis and the other members in Madison, the quartet started recording, playing shows around the Midwest, and eventually released 2017’s EP2. It’s an intimate, restless, and decidedly lo-fi 17-minute debut, which picked up traction across YouTube channels and blogs. In 2018, the band relocated to Chicago, writing and recording most of their Big Day EP. As they put in the hours on stage and in the studio, they kept refining their work, and by 2019, they were touring with Alex G and working on their debut full-length record, Moveys. Due to Massey’s diagnosis of Lyme disease and chronic mono, and a serious car accident involving her parents, the band finished Moveys in isolation. Emily temporarily moved back home and recorded vocals with her dad, Michael, in his small home studio. It was their only option at the time, but the band opted to record the vocals with Michael again on Yard.

“Working together we can be very honest with each other in a way that I wouldn’t be able to do with a stranger or a producer that’s not my family,” says Massey. “He already has so much context for what the songs are about, knowing my life so intimately. He is able to be very direct, saying things I often don’t want to hear but need to hear. I think it often leads to getting the best takes out of me.” That wasn’t the only lesson from Slow Pulp’s pandemic-era album creation that the band brought to their next record. Yard first started taking shape in February 2022 when Massey was staying alone at a friend’s family cabin in northern Wisconsin. Isolation was an important part of their process on Yard, but they were able to employ it strategically. “Part of what we discovered is that taking that time to be intentionally isolated is really important, as is being more collaborative at other times,” says Leeds. “We’ve learned a lot about balancing and being intentional about that through this process.”

Within Slow Pulp, this trust between members is evident in the playful collaboration that remains core to their creative process. Across Yard, they nestle comfortably into pockets of nuance, impressions, contradictions—sonics and lyrics finessed together to bottle the specific tension of a feeling you’ve never quite been able to find the right words for. Perhaps this spawns from the band’s own shared history and chemistry; in various ways, the four of them grew up—are still growing up—together.

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